This morning I read
in my paper that Keith Richards is to write a children’s book about his relationship
with his grandfather Theodore August Dupree who introduced young Keith to
music. “I’ve just become a grandfather for the fifth time so I know what I’m
talking about,” the great man is quoted as saying.
So, today, we’ll go back in time to when
becoming a grandfather was the last thing on Keith’s mind. Here’s the first of
two extracts from Butterfly
On The Wheel: The Great Rolling Stones Drugs Bust by Simon Wells, published by Omnibus in 2011, a blow-by-blow account
of what really
happened on the night police raided Keith’s home, Redlands, at West Wittering
in Sussex and how the Establishment – police, tabloid press and local judiciary
– conspired in a futile attempt to end the career of The Rolling Stones.
We join Keith and his house guests on Sunday
February 12, 1967. Among those present are Mick Jagger and Marianne Faithfull,
the gallery owner Robert Fraser, the interior designer Christopher Gibbs and
the mysterious David Shneiderman who provided Keith’s guests with an assortment
of drugs. They have spent a pleasant afternoon on the beach and are now relaxing
in Keith’s living room, listening to Bob Dylan’s Blonde On Blonde loud on the stereo and ‘coming down’ from
the effects of California Sunshine acid taken earlier in the day. Little do
they know that the News Of The World
has tipped off the police about their activities…
At 8:05 pm, what appeared to
those inside to be the face of a middle-aged woman pressed itself against the
sole window whose curtains weren’t drawn.
Schneiderman was the first to spot her and he alerted Richards who, believing it to be an
intrepid fan, wasn’t unduly bothered, only slightly irritated by the intrusion.
An unfortunate by-product of his
local celebrity was the occasional unsolicited drop-in by over eager admirers, not least because word on
the fan network was that Keith
was fairly receptive to such visits though they rarely, if ever, occurred after
nightfall.
What bemused Keith more was that the face at the window
appeared to be more of a “little old
lady” than a teenage fan. Hoping that by ignoring her she would go away,
everyone did just that but after a few minutes she began tapping on the glass. Again she was ignored.
Five
minutes later a thunderous banging on the front door left no one in any doubt
that this wasn’t a fan after an autograph. As a wave of unease cut through the
atmosphere, a languidly stoned Fraser
dismissed the loud knocking with a curt and haughty retort. “Don’t bother,” he
billowed. “Gentlemen ring up first. Must be tradesmen.” Faithfull too, offered a wonderfully child-like
response. “If we don’t make any noise,” she whispered, “if we’re all really
quiet, they’ll go away.” It certainly seems that those inside remained fairly
unmoved by what was occurring outside. As the observer at the window would
later declare, “There was no panic or anything like that.”
Eventually Schneiderman turned to Richards and offered to see who it was. Without replying,
Richards took on the mantle of householder and walked over, unlocked the door
and found himself confronted by the stout figure of Chief Inspector Gordon
Dineley of the West Sussex Constabulary. In his large white overcoat and
braided cap, he cut an imposing presence in the darkness. At Dineley’s side was
Detective Sergeant Stanley Cudmore, the
detective who’d first taken the call from the News Of The World. Given the
five-minute time lapse in
responding, the Chief Inspector had considered forcing down the door to gain
entry.
While it was pitch black outside, the squad of 18 police
would have been an incredulous sight for Richards’ dazzled senses. Indeed, in
his disoriented state he had
some difficulty in figuring out what was happening. He’d later reflect that
they appeared to him to be more like a troupe of goblins from The Hobbit than anything as mundane as
police officers.
As
realisation slowly replaced bewilderment, Dineley engaged Richards with the
preliminaries to the raid. “Are you the occupier and owner of the premises?” he
asked.
Slightly bemused by the officious request, Keith replied
with a chuckle: “Well, I live here.”
Holding up a sheet of white A4 paper,
Dineley explained the reason for his and his colleagues’ presence. “I am Police
Chief Inspector Dineley of the West Sussex Constabulary, and I have a warrant
to search these premises and the persons in them, under the Dangerous Drugs Act
of 1965.”
Handing
Richards the warrant, Dineley then invited him to read its contents. This Keith
did, attempting to decode the legal text headed with a decal of the crown.
Embedded in the warrant was the unequivocal line declaring that the police were
“to enter, if needs be by force, the premises of the said Keith Richards”. In
addition to the legal requirements were the names of the police personnel
primed to cross Redlands’ threshold.
Following his reading of the 30-line document, Richards acquiescently
responded to Dineley, saying: “All right, I have read it.”
With that, Dineley and his team moved into the house.
Rumoured to have been mentioned that night, but not confirmed in police
documents, Richards allegedly
said to his house guests: “Look, there’s lots of little ladies and gentlemen
outside. They’re coming in. They have this funny piece of paper, all sorts of
legal rubbish.” The police constables were dressed in traditional uniform,
while detectives wore plain
clothes. The “old lady” seen earlier at the window was, in fact, Detective
Constable Evelyn Florence Fuller, drawn from
Bognor Regis police station for the night. “As I entered the house,” she
later recalled. “I noticed an unusual smell. It was not the smell of burning
wood. It was similar to that of incense.” Detective Constable Thomas Davies
too, would take note of “a very strong, sweet, smell” inside the house. Leading
the team into the Redlands’ drawing room,
Dineley repeated to the occupants
what he’d said to Richards earlier, that the property was to be searched
for drugs.
Close
behind Dineley was Cudmore. He
too caught a “rather strong,
sweet smell” on entering the premises and, later, in all the other rooms of the property. He recalled in detail
the scene, especially the
deportment of Jagger and Faithfull.
“Jagger and a woman were sitting on a couch some distance away from the fire,”
Cudmore later noted. “This woman had wrapped round her a light coloured fur
skin rug which from time to time she let fall, showing her nude body. Sitting on her left was Jagger, and I
was of the opinion that he was wearing makeup.”
The police jostling for space with Redlands’ nine residents
made for a fairly crowded scene. While drawers, cupboards and various
receptacles were being searched, a state
of confusion fell over those present. “No one was expected that night,”
recalled Gibbs. “Then all of a
sudden, these people in blue came flooding in. It was a rather dream-like
experience.”
Adding to this strange drama fast unfolding, the record player was still blaring out from the two
huge speakers. With conversation above the sound system virtually impossible, Dineley asked Richards to
turn it off. “No,” replied the
defiant musician. “We won’t turn
it off, but we’ll turn it down.” The muted television set remained on.
Leaving sufficient personnel to cover the downstairs sweep
of the house, D.C. Fuller and
Sergeant John Challen began a search of the upstairs rooms. Fuller’s
exploration led her first to the room that Jagger was sharing with Faithfull.
Aware that the details of her search
might be scrutinised in court,
Fuller’s inventory was extraordinarily detailed. “There were pink ostrich
feathers lying on the bed,” she’d later report. “On a chair in the bedroom were
items of clothing; a pair of black velvet trousers, a white bra, a white lace
Edwardian blouse, a black cloth half coat, a black sombrero-type hat and a pair
of mauve-coloured ladies boots, one of which was lying on the bed, the other on the floor. I also
noticed a large chest of drawers on the top of which were a number of books on
witchcraft; one book was called Games To Play.” Fuller also noted
that on the floor was a large holdall which
contained “two or three dagger-type weapons”.
While Fuller was making an inventory of Mick and Marianne’s
possessions, Challen searched Richards’
bedroom. Finding a “pudding basin containing three cigarette ends” by the bed, he extracted the contents and
placed them in a plastic bag. Once finished inspecting Keith’s bedroom, he joined Fuller in Marianne and Mick’s room. With Fuller noting the
fine detail, Challen examined
the pockets of the clothes in the room. Inside Jagger’s green velvet jacket he
found four white tablets in a clear plastic phial in the left-inside pocket,
the amphetamine pills from the couple’s Italian
holiday which had remained in Jagger’s jacket ever since.
A great piece on Simon Wells`, The Great Drug Bust Of 1967. It is well written & incredibly lucid. Thank you for sharing this fantastic introduction to Simon Wells` seminal work, Chris. Anybody considering reading any of Simon Wells published works should certainly think seriously about this one.
ReplyDeleteThe Great Drugs Bust Of 1967, is a well written & fair account of a particularly dark period in the sociological history of 1960`s Britain & highlights the symbiotic relationship between music, stardom & fame. It has always been a profoundly disturbing one, whether its happening today or 46 years ago, but this dark, brilliant book highlights the beginning of the establishments usage of the press for its own control on society.
With his usual prowess & investigatory nose for detail, Simon Wells, has done an excellent job in dismantling the account of what actually happened that night at Redlands, in 1967. Wells has cut away the fantasy from the story & released a truth far more potent than the fiction could ever be. Its been this fiction that has become stuck in the public`s consciousness, like some contorted genie in the bottle, & caused so many problems for historians & fans alike. At last, now, thanks to Simon Wells, we have a factual account of what actually happened that night.
The portrayal of truth, usually missing from books of this genre, is refreshingly present & consistent throughout. Also, it must be added, the excellent dissection by Simon Wells, works very well in the authors favour, as its clear that he has no vested interest in the debacle of that fateful night, unlike many, leaving him free to take on the mantle, if he wishes, as spokesman for the people.
Perhaps, now, after 46 years, the truth can finally be laid to rest, & along with it, the innuendos & urban myth that have accosted the truth & become stuck in the public`s consciousness, holding us all back for far too long.
Thank the heavens for writers like Simon Wells. He`s fast becoming an institution, & that is something we should all be proud of, certainly if we want integrity to be upheld in our modern day accounts of Rock history.