So it’s nice to see
the eternally modest John Paul on the cover of the latest Tight But Loose, Dave Lewis’ superior Led Zeppelin fanzine which arrived
this week. Inside he talks about what he’s up to (with a brief mention of his
work for Dave Rawlings, musical partner of the very wonderful Gillian Welch)
and a bit about his past and his thoughts on his legacy. No one ever seemed to
want to interview John Paul in my Melody
Maker days and he didn’t seem to mind one iota, happy as he was to do his
job properly like the craftsman he is, and go home afterwards. Nevertheless,
when he does decide to talk he’s forthcoming, friendly and comes across as the
Mr Nice Guy he's always been.
Of equal interest,
at least to me because I used to know him well, is an interview with BP Fallon,
the impish Irish PR who took on the Led Zeppelin brief around 1973 and hung
around doing the same job on and off until 1980. Having previously worked for
EG management (King Crimson, ELP, Roxy Music) and Marc Bolan, BP’s arrival in
the Zep camp took most of us by surprise, not least because he didn’t share the
aggressive tendencies associated with their management. In the event this was a
bonus. Already well liked by the press for his laid-back otherworldliness, BP
was ideal for easing the rather touchy relationship between band and media that
developed after the merits of Led
Zeppelin III came under scrutiny in 1970.
Jimmy Page with BP Fallon aboard the Starship in 1973, photo by Bob Gruen
Whenever BP rang me
up with some news about a client he would open the conversation by announcing:
“Hey man, I need to lay a verbal on you.” He never ceased to fascinate, to
intrigue. Nevertheless, like the eternally absent-minded Simon Puxley with Roxy
Music, PR for BP was really just a hook on which to hang his hat. His real
skill was advising his clients on how best to present themselves to the world,
and in so doing to engender sympathetic media coverage at a time when the UK
music press was becoming far less deferential towards the artists that peopled
its pages. When Bolan was in danger of becoming a trifling teen-idol, BP gave
him integrity, and when Led Zeppelin appeared too high and mighty, BP did his
best to present them as humans, not quite cuddly but certainly less belligerent
than their reputation suggested. Also, there was an obvious affinity with Jimmy
Page; both of them small, dark and a bit mysterious, sometimes whimsical, sometimes deep,
and both of them powerful magnets for immensely attractive women. After Zep BP
went on to work for U2 for a spell, wearing a laminate that read: ‘Guru, Viber
& DJ’ – a perfect job description really.
Elsewhere Tight But Loose contains the usual news
of what Page, Plant and Jones have been up to, information about records, gigs (including
a Deborah Bonham Band show at which
Plant got up to sing ‘When The Levee Breaks’ and ‘Shakin’ All Over’) and bootlegs,
opinions from fans and everything else the committed Zep fan needs to know.
It’s also nice to know that the three men who inspire the magazine’s success
and continuing existence now so appreciate the work that Dave does on their
behalf that they are happy to support it in the way they do.
Good review - thanks. I expect my copy of this issue to be in my mailbox here in the US sometime this week.
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