The third and final part of my
1976 interview.
Robert Plant likens the new
album to Zeppelin’s second album in that it was made in a short time and
retains an immediacy that has not been so apparent on later efforts. “It’s so
adamantly positive, so affirmative for us. Everybody was aware that there was a
crisis in the band so we got together and went forward as, if nothing had
happened, like turning into a storm instead of running from it.”
“In LA we
just rehearsed and rehearsed. It was so strange for me the first time because,
as I said, I was sitting in an armchair, singing, and I found myself wiggling
inside my cast. The whole band really wanted to play and had wanted to do that
tour, so the same effort was put into the album. It was a unique situation
where we rehearsed for three weeks – on and off in true Zeppelin style because
we’re not the greatest band for rehearsing. We’ve always felt that too much
rehearsing on a song can spoil it for us...sort of take the edge off the
excitement, but this time it worked in the opposite way because the enthusiasm
was contained in such a small space of time.
“Then we
went to Munich to record and it took us just 18 days to finish it. That’s
ridiculous for us because we usually take an eternity to finish an album.”
The 18
days, in fact, included a black hour when Plant tripped in the studio and
narrowly avoided- reopening his fractured foot. The cast had been removed in
Los Angeles and he was rashly rushing around the studio when...”half way
through the recording I fell.
“Now I can
play soccer all day and run and swim and I still love to be very active, but
here I was hobbling around in the middle of this great track when suddenly my
enthusiasm got the better of me. I was running to the vocal booth with this
orthopaedic crutch when down I went, right on the bad foot. There was an
almighty crack and a great flash of light and pain and I folded up in agony.
“I’d never
known Jimmy to move so quickly. He was out of the mixing booth and holding me
up, fragile as he might be, within a second. He became quite Germanic in his
organization of things and instantly I was rushed off to hospital again in case
I’d re-opened the fracture, and if I had I would never have walked properly
again. It was a bit rash of me to bop around but...well, the track is
brilliant.”
So when
would Plant be recovered enough to tour again? He became very serious. “Already
I’ve surprised the doctors by recovering as much as I have in such a short
time. They’ve called me a model patient and that surprises me because hospitals
are really not my cup of tea. I mean, I was faced with a situation that dented
every single thing I had going for me. My usual...er...sort of leonine
arrogance was instantly punctured by having to hobble around, so I’m having to
take my time. I don’t want to rush. Every day I walk more and more without the
stick and I’m going to need physiotherapy so I should think it’ll be the
beginning of the next soccer season before I’m running about again.”
Plant had
said his piece, and with the obvious questions about current affairs all
answered, I suggested he look back and record the highlight of eight years with
Zeppelin. He looked puzzled, “There have been so many amazing things, things
that were once beyond my wildest dreams. I mean, basically I wanted to sing,
and sing and sing.
“I mean,
heavens, how could I ever have envisaged anything like this? Me and Bonzo had
just come down from the Midlands to join a band. Jimmy was the experienced man
and he’d been over here on the Dick Clark show or whatever, so he knew we would
end up at least on that level. I don’t think Jonesy had been to the States
before, but Bonzo and I had no idea. We even got lost in London.
“I remember
when we played the Fillmore West in San Francisco, Bonzo and I looked at each
other during the set and thought ‘Christ, we’ve got something’. That was the
first time we realised that Led Zeppelin might mean something; there was so
much intimacy with the audience, and if you could crack San Francisco at the,
height of the Airplane, Grateful Dead period then it meant something. Mind you,
we went on with Country Joe and the Fish so we didn’t have that much of a
problem...how could we fail? But we knew the chemistry was there when we
recorded the first album.”
It wasn’t
until after the first album that Plant began writing the band’s lyrics; he
logically surmised that as he had to sing them, he might as well sing words he
wrote himself. “You’ve got to live with them so it’s a very personal thing. I
did some of the lyrics on ‘Whole Lotta Love’ and some of the broader things
like ‘Ramble On’, but it wasn’t until later that I really worked hard on them.
“I think
that songs, like ‘Kashmir’ and ‘Stairway’ are far more relevant to the band now
than songs like ‘Whole Lotta Love’ which we don’t really do now anyway. Ever
since it came out, ‘Stairway’ has been the most requested track on FM radio
here in America which is amazing because it’s so old now. That song was
astoundingly well accepted and personally I’m very proud of it, but I think ‘Kashmir’
is just as good, and so is the one that I fell over on when we recorded this
new album.”
The
long-awaited Led Zeppelin film is now ready, according to Plant. “Yes, we’re as
happy with it as we could possibly be. It’s been mixed in quad, and I’m not
sure whether the Futurist Cinema in Birmingham is going to be able to handle
that, but I would say it will be released about the same time as the opening of
next soccer season, probably in August.
“The film
features more than just us on stage. It has a few tastes of spice from
everybody’s imagination, sort of humorous in parts. It ain’t all music, anyway,
it touches on some of the things that make up the personalities in the group,
Peter and Richard Cole [the band’s ever-present tour manager] too.”
Finally, I
mentioned that of all the bands of their stature (and many, also, beneath them)
Zeppelin seemed to be the only group whose members had not, at some time,
veered off the rails to produce a solo album. Plant seemed horrified at the
thought. “I think to want to do that, you’ve obviously got to be dissatisfied
with the set-up as it stands.
“If you can’t
bring out everything that comes to mind musically with the group you are
working with, then to go away and do a solo album and then come back, is an
admission that what you really want to do is not playing with your band.
“If you have to depart from the
unit to satisfy your soul, then why go back afterwards? I know I couldn’t find
anybody as musically imaginative as Jimmy, anybody who could play the drums as
hard as Bonzo and anybody, who could play as steadily as Jonesy. It’s as simple
as, that.”
1 comment:
In my Who fandom, I have to compare Plant's final thoughts on solo records. Also carrying on after a drummer's death.
Alas...
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