CROWDED HOUSE – GRAVITY STAIRS

Not content with sounding a bit like The Beatles, the cover of the new Crowded House album, Gravity Stairs, looks a bit like the cover of Revolver and, what’s more, it opens with a bit of studio weirdness, a bit like ‘Taxman’, before settling down into familiar Crowded House territory that is sustained throughout the entire record; a change, then, from many of the tracks on the last two CH albums that sounded to me as if Neil Finn was groping around looking for something beyond the perfect pop style he’d perfected for the group he’s led since 1986. I’m glad he’s back where he belongs and looking forward to seeing him and the latest edition of CH in Brighton next month, a review of which will appear on Just Backdated in due course.

In the meantime, we have Gravity Stairs, recorded by Finn with long serving bass player Nick Seymour, also responsible for graphics, ergo the Revolver look, Finn’s sons Liam, on guitar and vocals, and Elroy, on drums, along with Mitchell Froom, producer of four CH albums, who now plays keyboards with the group. Tim Finn, Neil’s brother, adds occasional backing vocals, and the blend of the brother’s voices here and there is probably responsible for the new record sounding as pleasing to these ears as 2007’s Time On Earth, the last CH album I really liked, and that bit more enjoyable than the two that followed it, Intriguer (2010) and Dreamers Are Waiting (2021).

Crowded House still sound a bit like The Beatles, which is no bad thing of course. This stems not just from the vocal harmonies which can, at times, appear inspired by the second side of Abbey Road, but how Nick Seymour’s lyrical bass lines underpin many of the songs on Gravity Stairs in ways that echo Paul McCartney’s sense of melodicism and occasional flights of unexpected fancy. The overall emphasis on song writing is a CH trait that goes back to their first hit ‘Don’t Dream It’s Over’, still their best known-song, which may or may not be infuriating for Neil Finn.

After the studio trickery, the new record opens with ‘Magic Piano’, a wistful song brimming with optimism, its inscrutable lyrics giving the album its title and setting the scene for songs that for the most part seem to float on the breeze, tranquil, unhurried, considered, this latest alignment of CH comfortable in its own skin but not afraid to add a touch of weirdness here and there to spice the pie. 

        ‘Life’s Imitation’, which follows, is a tad quicker, driven by a rhythmic acoustic guitar, its lyrics similarly enigmatic, its title appearing on my computer as ‘Teenage Summer’, a repeated phrase among words that seem like an apology for absence. ‘The Howl’, the first single from the album, written by Liam Finn, takes its cue from past CH endeavours, underlined by one of those sparkling guitar figures that inhabit so many CH songs, before it slips further into familiar territory on a soaraway chorus featuring high harmonies. ‘All That I Can Ever Own’ sees Neil musing on his past on an anthemic ballad in the same vein as ‘How Will You Go’ from Woodface, while ‘Oh Hi’, not a million miles away from Bowie’s ‘Everyone Says Hi’ on Heathen, boasts another catchy chorus. The midpoint is reached by trilling mandolins that lead into ‘Some Greater Plan (For Claire)’, a gorgeous, luscious ballad, a love song, the slowest song on the album, quite lovely, and to these ears the album’s key track. It’s certainly superior to the three that follow, neither of which reach the standard set thus far. Indeed, ‘Blurry Grass’ by Elroy and his dad, sounds like an outtake. Happily, Gravity Stairs is redeemed by the two closing songs, ‘Thirsty’ and ‘Night Song’. The former features female voices quite prominently – there are hints of them elsewhere on the record, some belonging to Finn’s wife Sharon – which I believe is first for Crowded House. After a bit of weirdness ‘Night Song’ opens dreamily but gathers pace to bring the album to an eccentric conclusion. 

        Anyone seeking more CH gems like ‘Weather With You’, ‘Distant Sun’ or ‘It’s Only Natural’ might not find it amongst these songs but I’m not bothered. Gravity Stairs is beautifully produced pop record by a group led by a craftsman.