I’m up to page
270. John, who like Brian of Nazareth is a very naughty boy indeed, and Ringo,
who seems to have spent more time in hospital than school, are both 15. Paul,
who has discovered an inherited gift to play any instrument he lays his hands
on is 13, and George, already showing signs of withdrawal from exposure, is 12.
They, along with posh but troubled Brian Epstein, haven’t met yet but are encircling
one another in Liverpool like vultures hovering above the carcase of the UK’s
teenage population which in a few years time they will devour like hungry
beasts.
Yes, Santa brought me the special extended edition of Tune In, the
first two cased volumes of All These Years, Mark Lewisohn’s monumental Beatles
biography. I’d already dipped into the ‘short’ version but I’ve put that aside
now that I can tackle the big one.
What we have here is not just the most comprehensive, accurate and eminently
readable biography of The Beatles ever written but the whole history of just
about everything else appropriate to the story as well; the mass emigration
from Ireland after the potato famine, the rise and fall of Liverpool as a great
port, the history of the record industry from shellac cylinders to vinyl discs,
and how rock and roll was born from the jazz, blues and C&W and came to
dominate that industry despite attempts by many – not least the industry itself
– to derail it. In reality it’s the story of The Beatles in extraordinary
detail set against a social history of the 20th Century, the UK for
now but, surely, the USA to come.
It’ll probably take me until March to finish this book, not least
because it’s too heavy to carry around and I’m forever looking up note
references and footnotes to discover all sort of titbits (like the astute
history master who hung on to one of John’s schoolboy essays, and sold it in
2006 for £126,500… how did he know?). At 1,698 pages Tune In is a staggering achievement, epic indeed. I salute Mark,
and I know for certain that when I have finished these two volumes (which bring
the story up to the end of 1962), I will have difficulty waiting for the next
instalment and reading what Mark has uncovered about the Beatlemania years.
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