The
third part of my interview with John in 1973 which I had originally decided to
split into three parts but is now four. I hadn’t actually read this for a long
time and when I looked at it last week before deciding to post it I realised it
was longer than I thought. It was also more interesting. John really was a
great interviewee. He, Bowie and Townshend were always great to interview. All
three instinctively knew how to give good copy, if that’s the right way to put
it. Moon wasn’t bad either but he was a storyteller. John, David and Pete
simply thought a lot about the business they were in, had forthright opinions
and weren’t afraid to express them, regardless of the consequences.
While
emphasising that he doesn’t mean to be insulting to England, John says he never
misses home. “I don’t miss England like I didn’t miss Liverpool when The
Beatles moved to London. England will always be there if I choose to go back,
and when I came here originally I didn’t have a plan to stay. It just happened
that way.
“I love New York. It’s the hottest city
on earth. I haven’t been everywhere in the world but it’s the fastest city on
earth. The difference between New York and London is the difference between
London and Liverpool.
“For me New York has everything. And if
I wanted to get away from it there’s always New England to visit. If I feel
homesick for England, I feel homesick for Cornwall, or Ireland or Scotland
where I went on holidays. When I think of England now, I think of my childhood
or discotheques in London and in New England it’s very similar with the rock
and the sea and that.
“I’ve got a little pad there where I
can go to get away from the rush of New York, and I’ve got an apartment in the
Dakota Building in New York which is the place they made the film Rosemary’s
Baby.
“I also love the millions of radio
stations and television channels and the piped TV movies I can get and things
like that which you can’t get in England.”
John regrets that he doesn’t get out to
see many artists performing, a situation that stems from being John Lennon. “I
get nervous at shows. Either I have to sit in the audience and I get hassled by
the crowd, or I go backstage and have to mix with the groupies and all that
trip.
“Rod Stewart’s here at the moment and I
wouldn’t mind seeing him. I like him. I want to see Jerry Lee Lewis, too, while
he’s on here. I saw Fats Domino in Las Vegas – I seem to be catching up on the
ones I never saw when I was a teenager.
“I had a ticket for The Rolling Stones
on the East Coast but at the time I was in Los Angeles, so I never got to see
them. I haven’t seen the Stones since the Rock and Roll Circus which was
the film that never came out.
“I still prefer records. They’re the
thing of the moment that matters. I like to see the artist occasionally, but
some people have made one great record and I go for that record and don’t care
whatever else they’ve done.
“People are saying the Stones are
getting too old to appear now but that’s bullshit. Mick’ll never be past it. I
saw the TV show they did over here and it was fantastic. It was a master’s
performance and that’s what Mick is, a master performer.
“The English always tear into their own
artists more than others, and worship Americans. Here it’s the other way
around. I like a lot of the new British bands though.”
I told John that Slade had been called
the new Beatles. “Hell, who wants to be the new Beatles!” he replied. “I like
some of their records. They get it off. I saw them on TV here and it was all
right.
“It must be so hard for them when they
come here and they’re used to being treated like God in England, but I think
they’ll survive. They’re a good band. They’re a singles band and I’m a singles
man.
“The only reason I make albums is
because you’re supposed to. I haven’t really got into somebody’s album since I
was into Elvis Presley and Carl Perkins, and even then singles were always the
best.
“I’d like to see The Who when they come over here, they’re
like clockwork. I went to see Cheech & Chong the other night, but once is
enough for them.
“That’s another thing that puts me off
playing live – the fact that you’ve got to do the same thing over and over
again every night, and the audience wants to hear the songs you’re associated
with. I remember I sang ‘Imagine’ twice in one day when I was rehearsing it,
and that bored me.
“I’ve nothing against the song, in fact
I’m quite proud of it, but I just can’t go on every night singing it. I’d try
and vary it, but then I don’t like to see that myself. If I go to watch an
artist I’d expect to hear the things I know. I understand it from both points of
view. Actually I have trouble remembering lyrics. I sang ‘Come Together’ at
Madison Square Gardens for a TV show too and really I sang ‘She Got Hairy
Arseholes’ instead of what it should have been, and it was never noticed.”
1 comment:
The New York Pass is a 'smart card' - like a credit card - which gives you fully free admission to more then 80 popular New York attractions.
Post a Comment